翻訳と辞書
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・ Laura Clark
・ Laura Clay
・ Laura Claycomb
・ Laura Clayton
・ Laura Clifford Barney
・ Laura Codruța Kövesi
・ Laura Coenen
・ Laura Coleman
・ Laura Coles
・ Laura Combes
・ Laura Connor
・ Laura Coombs
・ Laura Cornelius Kellogg
・ Laura Cortese
・ Laura Cosoi
Laura Cottingham
・ Laura Cox
・ Laura Cox (politician)
・ Laura Creavalle
・ Laura Critchley
・ Laura Crocker
・ Laura Croft
・ Laura Crossley
・ Laura Csortan
・ Laura Cunningham
・ Laura Curione
・ Laura Curtis Bullard
・ Laura Cutina
・ Laura Czarnotta
・ Laura Dahl


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Laura Cottingham : ウィキペディア英語版
Laura Cottingham (born 1959) is an American art critic, curator and visual artist. Her most recent book is ''Angst essen Seele auf'' on Rainer Werner Fassbinder published by the British Film Institute in 2005. Her work has been exhibited in galleries and museums throughout Europe and in New York City, her best known videos being ''Not For Sale,'' 1998 and ''The Anita Pallenberg Story,'' 2000. She curated "NowHere," for the Louisiana Museum of Art, Denmark in 1996 and "Vraiment Feminisme et art," for Le Magasin in Grenoble, France in 1997. She lives in New York City.==Works==Laura Cottingham is a graduate of Notre Dame Academy, in Park Hills, Kentucky and of the University of Chicago. In 1981-82 she was a Helena Rubenstein Fellow in the Whitney Museum of American Art's Independent Study Program. Her activities have been primarily concentrated in Europe—including Austria, Germany, France, Spain, England, Scotland, the Netherlands, Denmark, and Sweden—where she has published, exhibited and lectured widely. Her work is concerned with reconsidering the meaning of art in light of the countercultural values of circa 1968. Her influences include Fluxus, Rock and roll, punk (Dee Dee Ramone kissed her), ballet, radical feminism, Gay rights, Black Power, Zen and Gestalt.Aside from ''Angst essen Seele auf'', Cottingham's other books include ''Seeing Through the Seventies: Essays on Feminism and Art'' (Amsterdam, 2000); ''Lesbians Are So Chic...'' (London, 1996) and ''How many 'bad' feminists does it take to change a lightbulb?'' (New York, 1994), also in French (Lyon, 1999). She is best known for her work recuperating Seventies Feminist Art and has published extensively on many of the artists of that period, as well as on artists of her own generation.Her ''Not For Sale: Feminism and Art in the USA during the 1970s,'' premiered at the Museum of Modern Art, New York, in 1998. ''The Anita Pallenberg Story'' is a satire on the international art scene that features Cottingham playing Mick Jagger; other art world personalities likewise appear in this Warhol-like drama, including collector Peter Norton ("Norton Utilities") who plays a pizza delivery boy. "Pallenberg" is the subject of a website: "LOVE, SEX, FAME and the LIFE OF THE IMAGE: On the making of the Anita Pallenberg Story" at www.haussite.net, the Kuenstlerhaus Stuttgart's website.(www.haussite.net with redirect to the project website ) (Künstlerhaus Stuttgart)In 2006 she co-curated Sweden's annual national exhibition for the Lilevalchs Konsthalle, Stockholm.
Laura Cottingham (born 1959) is an American art critic, curator and visual artist. Her most recent book is ''Angst essen Seele auf'' on Rainer Werner Fassbinder published by the British Film Institute in 2005. Her work has been exhibited in galleries and museums throughout Europe and in New York City, her best known videos being ''Not For Sale,'' 1998 and ''The Anita Pallenberg Story,'' 2000. She curated "NowHere," for the Louisiana Museum of Art, Denmark in 1996 and "Vraiment Feminisme et art," for Le Magasin in Grenoble, France in 1997. She lives in New York City.
==Works==

Laura Cottingham is a graduate of Notre Dame Academy, in Park Hills, Kentucky and of the University of Chicago. In 1981-82 she was a Helena Rubenstein Fellow in the Whitney Museum of American Art's Independent Study Program. Her activities have been primarily concentrated in Europe—including Austria, Germany, France, Spain, England, Scotland, the Netherlands, Denmark, and Sweden—where she has published, exhibited and lectured widely. Her work is concerned with reconsidering the meaning of art in light of the countercultural values of circa 1968. Her influences include Fluxus, Rock and roll, punk (Dee Dee Ramone kissed her), ballet, radical feminism, Gay rights, Black Power, Zen and Gestalt.
Aside from ''Angst essen Seele auf'', Cottingham's other books include ''Seeing Through the Seventies: Essays on Feminism and Art'' (Amsterdam, 2000); ''Lesbians Are So Chic...'' (London, 1996) and ''How many 'bad' feminists does it take to change a lightbulb?'' (New York, 1994), also in French (Lyon, 1999). She is best known for her work recuperating Seventies Feminist Art and has published extensively on many of the artists of that period, as well as on artists of her own generation.
Her ''Not For Sale: Feminism and Art in the USA during the 1970s,'' premiered at the Museum of Modern Art, New York, in 1998. ''The Anita Pallenberg Story'' is a satire on the international art scene that features Cottingham playing Mick Jagger; other art world personalities likewise appear in this Warhol-like drama, including collector Peter Norton ("Norton Utilities") who plays a pizza delivery boy. "Pallenberg" is the subject of a website: "LOVE, SEX, FAME and the LIFE OF THE IMAGE: On the making of the Anita Pallenberg Story" at www.haussite.net, the Kuenstlerhaus Stuttgart's website.〔(www.haussite.net with redirect to the project website ) (Künstlerhaus Stuttgart)〕
In 2006 she co-curated Sweden's annual national exhibition for the Lilevalchs Konsthalle, Stockholm.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアでLaura Cottingham (born 1959) is an American art critic, curator and visual artist. Her most recent book is ''Angst essen Seele auf'' on Rainer Werner Fassbinder published by the British Film Institute in 2005. Her work has been exhibited in galleries and museums throughout Europe and in New York City, her best known videos being ''Not For Sale,'' 1998 and ''The Anita Pallenberg Story,'' 2000. She curated "NowHere," for the Louisiana Museum of Art, Denmark in 1996 and "Vraiment Feminisme et art," for Le Magasin in Grenoble, France in 1997. She lives in New York City.==Works==Laura Cottingham is a graduate of Notre Dame Academy, in Park Hills, Kentucky and of the University of Chicago. In 1981-82 she was a Helena Rubenstein Fellow in the Whitney Museum of American Art's Independent Study Program. Her activities have been primarily concentrated in Europe—including Austria, Germany, France, Spain, England, Scotland, the Netherlands, Denmark, and Sweden—where she has published, exhibited and lectured widely. Her work is concerned with reconsidering the meaning of art in light of the countercultural values of circa 1968. Her influences include Fluxus, Rock and roll, punk (Dee Dee Ramone kissed her), ballet, radical feminism, Gay rights, Black Power, Zen and Gestalt.Aside from ''Angst essen Seele auf'', Cottingham's other books include ''Seeing Through the Seventies: Essays on Feminism and Art'' (Amsterdam, 2000); ''Lesbians Are So Chic...'' (London, 1996) and ''How many 'bad' feminists does it take to change a lightbulb?'' (New York, 1994), also in French (Lyon, 1999). She is best known for her work recuperating Seventies Feminist Art and has published extensively on many of the artists of that period, as well as on artists of her own generation.Her ''Not For Sale: Feminism and Art in the USA during the 1970s,'' premiered at the Museum of Modern Art, New York, in 1998. ''The Anita Pallenberg Story'' is a satire on the international art scene that features Cottingham playing Mick Jagger; other art world personalities likewise appear in this Warhol-like drama, including collector Peter Norton ("Norton Utilities") who plays a pizza delivery boy. "Pallenberg" is the subject of a website: "LOVE, SEX, FAME and the LIFE OF THE IMAGE: On the making of the Anita Pallenberg Story" at www.haussite.net, the Kuenstlerhaus Stuttgart's website.(www.haussite.net with redirect to the project website ) (Künstlerhaus Stuttgart)In 2006 she co-curated Sweden's annual national exhibition for the Lilevalchs Konsthalle, Stockholm.」の詳細全文を読む



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